LAS VEGAS, NEVADA: While readying the sound system for the Wynn Las Vegas' brand new Aqua Theatre, theatrical audio specialist Pascal Van Strydonck, head of audio for the venue and also the show's sound designer, was presented with a significant problem.
The 2,087-seat, in-the-round home of Franco Dragone's "Le Reve - The Show" was suddenly not the same venue acoustically as originally designed. Fronted by a Yamaha DM2000 digital console, the house PA, a 5.1 surround, 360-degree, six-zone system by Meyer Sound, was already ordered and installed, yet architectural and rigging changes significantly affected its performance.As a result, Van Strydonck decided that comprehensive acoustic measurement
and tuning were in order for the theater. "The quality of the PA is impeccable," clarifies Van Strydonck. "But unfortunately the cabinet types were chosen for a specific design and it wasn't really covering everything.
We needed 80 by 100 degrees of coverage and got 40 by 35 degrees of coverage."
The venue's unique design factors further contributed to some unseemly
acoustic issues. "It's an extremely special place," explains Van Strydonck
about the theater, which features a parabolic dome, an opposing parabolic
floor, and a 27-foot deep, million-gallon pool at its center. "An interesting acoustic aspect are the two parabolic structures facing each
other - the floor and the ceiling. The seating area isn't just a straight
incline; it's actually curved. Add in all the water and humidity, and it's a
very challenging acoustic environment."
Needing a practical way to measure the theater during rehearsals and full
audience performances, Van Strydonck with the assistance of another one of
the Wynn's audio experts, Steve Weiss, used SIA-SMAART sound analysis
software - recommended by SIA's Jamie Anderson - and a Lectrosonics TM400
wireless test and measurement system." With a 360-degree theater, hauling
cable was really a pain," Van Strydonck explains of his wireless test route.
"Doing so made measurements an extremely long process, even though the
original idea was to measure one section, then replicate the findings and
values in each of the other five sections." The TM400 system changed all
that. "By carefully analyzing each section independently, we were able
to
apply the correct data and improve things dramatically."

Lectrosonics measures "La Reve-The Show"
at the Wynn Las Vegas.
The Lectrosonics TM400 test and measurement wireless system features
compandor-free audio, 256 synthesized UHF frequencies, and a sturdy,
all-metal construction. Its receiver provides a strong RF front-end,
balanced XLR audio output, and a front-panel LCR graphic display for
Lectrosonics' SmartTuning system of RF frequency selection. Featuring
selectable 5, 15, and 48-volt powering capabilities, the transmitter easily
converts XLR-connected microphones to wireless operation and provides a
whopping 100mW of RF output power for extended operating range.
"I was really amazed by the Lectrosonics system," explains Van Strydonck.
"It's well made. It has no-nonsense operation. It's affordable, and
Lectrosonics service is just beautiful. In all my time working with the
company, there's not been one install that I've done when they haven't
volunteered to come over and see what's happening. Buying Lectrosonics is
like buying better support."
Much of the multi-sensory power of "Le Reve - The Show" comes from
its
aquatic settings. The Aqua Theatre is a perfect example of how the presence
of water can shape environment and mood. Add a packed house to the mix -
when audience members brought their own acoustic properties to the setting -
and testing with the TM400 was a most helpful scenario.
"Platform lift elevators constantly break the surface of the water, thus
changing the reflective nature of the theater throughout the show," explains
Van Strydonck. "That changes my reflection path, while humidity also changes
rapidly. We have huge fountain effects and our mist system is probably the
biggest ever devised. That should give you an idea of the theater's changes
in humidity and temperature. While testing during a performance, I was able
to hang onto the mic, walk around the venue, sit in different seats, and
test in the midst of all these factors. I just couldn't haul around 500 feet
of cable. I used a small pistol-grip microphone with the TM400 and pointed
it at the PA. Doing so allowed us to examine the differences between an
empty and full room. Those measurements were only possible with a wireless
measurement system like the TM400."
The sound team at the Wynn Las Vegas includes (left
to right) Steve Weiss (monitor engineer and associate in aligning the system),
John Davis (technician), Pascal Van Strydonck (head of audio/assistant designer),
Dennis Teasley (technician), John Taylor (assistant head of audio).
In the end, the ease in which a wireless test and measurement system allowed
Van Strydonck to analyze the Aqua Theatre resulted in far more complete statistical
results, which led to better acoustic treatment of the space. "Where you
may normally do three or four measurements per section," continues Van
Strydonck, "we did 20 or so measurements per section. Without the TM400,
we would've probably skipped over a couple of measurements and just went for
the main ones. Some of those finer measurements gave us interesting data and
allowed us to rethink much of what we needed to do. The TM400 performed flawlessly
and was a tremendous help."
Since its formation in 1971, Lectrosonics has grown to become a premier firm
specializing in the design and creation of professional audio technologies.
Alongside creating audio processing gear such as the DM Series, Lectrosonics
is a leading innovator of wireless audio technology with many professionals
as ardent fans within the broadcasting, motion picture, and television
industries.
www.lectrosonics.com