Home About AC Updates AC Radio AC Blog AC Courses Forum
 
FAQ Profile Members Register Groups PM's Search Login/Out

signal generators

Last Thread | Next Thread  >


Post new topic Reply to topic

Forum Index > Audio Electronics

Goto page 1, 2  Next


Author Thread
Pdrummer
Eager Beaver


Joined: 19 Mar 2006
Posts: 17
Location: NC
signal generators  Reply with quote  

I'm not sure if i'm right but aren't signal generators in mixing consoles are what produces the signals in all the channels, if so, how do they work, i've always been wondering how it works.
Post Wed Jan 10, 2007 4:38 pm
 View user's profile Send private message
wailingalleycat
Forum Manager


Joined: 07 Oct 2003
Posts: 694
Location: Jersey C.I (UK)
Tone Gen  Reply with quote  

The only signal generator i can think of in a mixing console is just a section to produce tones and pink/white noise for testing output busses and speakers etc.

is this what you mean?
_________________
If In Doubt...Hit It With a Hammer, If Still In Doubt... Find a Bigger Hammer.
Post Wed Jan 10, 2007 5:37 pm
 View user's profile Send private message Visit poster's website Yahoo Messenger MSN Messenger

amitbarde
Forum Moderator


Joined: 24 May 2006
Posts: 79
 Reply with quote  

Yes...Paul's right!...all the signal generators do is produce "test tones" whatever they may be....typically....white/pink nose and probably a 1khz sine wave. All these are used for testing equipment......they DO NOT produce any signals in the channel....whatever thechannel gets is what is coming into it via a mic/di etc and through it's pre amp.
Post Wed Jan 10, 2007 5:55 pm
 View user's profile Send private message
conquistadore
Forum Moderator


Joined: 03 Aug 2004
Posts: 514
Routing  Reply with quote  

But on more 'advanced' digital consoles it should be possible to route the oscillator's out put to any channel. But real requirement would be on buses and outputs.
Post Thu Jan 11, 2007 5:27 am
 View user's profile Send private message Yahoo Messenger

conquistadore
Forum Moderator


Joined: 03 Aug 2004
Posts: 514
 Reply with quote  

How does it work?

On analogue consoles it would typically be Oscillators that generate these test tones. I guess Amit should be able to give you a better picture?
Post Thu Jan 11, 2007 5:29 am
 View user's profile Send private message Yahoo Messenger
Pdrummer
Eager Beaver


Joined: 19 Mar 2006
Posts: 17
Location: NC
oh  Reply with quote  

Yeah, I just saw or heard something about signal generators with mixing consoles, ok, then I was right all along, then the potentiometer(gain) really does increase the voltage in the circuit all the way to the microphone cable, it would have to, it is one circuit. Unless I'm wrong.
Post Thu Jan 11, 2007 6:01 pm
 View user's profile Send private message

conquistadore
Forum Moderator


Joined: 03 Aug 2004
Posts: 514
Re: oh  Reply with quote  

quote:
Originally posted by Pdrummer
Yeah, I just saw or heard something about signal generators with mixing consoles, ok, then I was right all along, then the potentiometer(gain) really does increase the voltage in the circuit all the way to the microphone cable, it would have to, it is one circuit. Unless I'm wrong.


Not really. The gain knob does not increase the voltage all the way through the mic cable. A normal microhpone emits a very low signal - in micro volts, that passes into the cable and then into the Mic input of the console. But this voltage is too low to work with. The industry standard for a line level signal (a signal that is strong enough to work with) is 1.23V. So you can see the difference - the the voltage needs to be raised from a micro volt value to a volt value. What the gain knob does is that it increases the voltage of the signal to 1.23V (provided your gain structure follows the Unity Gain rule - 0dBu) and then passes that signal on to the rest of the circuitry (inserts, EQs, Auxes, Faders.etc). It does not increase the voltage in the mic cable itself.
Post Fri Jan 12, 2007 6:08 am
 View user's profile Send private message Yahoo Messenger
amitbarde
Forum Moderator


Joined: 24 May 2006
Posts: 79
 Reply with quote  


quote:
Not really. The gain knob does not increase the voltage all the way through the mic cable. A normal microhpone emits a very low signal - in micro volts, that passes into the cable and then into the Mic input of the console. But this voltage is too low to work with. The industry standard for a line level signal (a signal that is strong enough to work with) is 1.23V. So you can see the difference - the the voltage needs to be raised from a micro volt value to a volt value. What the gain knob does is that it increases the voltage of the signal to 1.23V (provided your gain structure follows the Unity Gain rule - 0dBu) and then passes that signal on to the rest of the circuitry (inserts, EQs, Auxes, Faders.etc). It does not increase the voltage in the mic cable itself.


Varun's absolutely right.
But what i don't really understand pdrummer is that what have the gain knobs got to do with signal generators?....Please let me know if i'm missing something here Confused
....Anyway as far the oscillators which generate test tones....well you could have different types of oscialltors generating different test tones. You have the "traditional" oscillators which work based on a "tank circuit" (a circuit which basically contains an indductor and a capacitor). A basic way to describe the working of these circuits would be to say that there is a constant change of polarity that takes place which allows the oscialltions (which over here would be the movement of the electrons through the circuit...which can only happen if there is a change of polarity for every cycle)....
The other type of oscialltors that are quite popular are the crystal osicllators. These kinds oscillators are said to provide a greater accuracy, hence prreffered over the traditional tank circuitry.....there's really not much else i can tell you about oscillators. The other forms of signal generators a console would have, as has already been said before, are white and pink noise generators.
....and you probably already know that white noise is a wide band noise that has equal energy per octave while pink noise is basically filtered (passed through a low pass filter if i'm not mistaken) white noise that has equal energy for every frequency.
Post Fri Jan 12, 2007 11:42 am
 View user's profile Send private message

conquistadore
Forum Moderator


Joined: 03 Aug 2004
Posts: 514
White + Pink Noise  Reply with quote  

quote:
Originally posted by amitbarde

....and you probably already know that white noise is a wide band noise that has equal energy per octave while pink noise is basically filtered (passed through a low pass filter if i'm not mistaken) white noise that has equal energy for every frequency.


Correction - White Noise has equal energy across all frequencies whereas Pink Noise has equal energy per octave.
Post Sat Jan 13, 2007 7:07 am
 View user's profile Send private message Yahoo Messenger

Post new topic Reply to topic
Forum Jump:
Jump to:  
Goto page 1, 2  Next
All times are GMT.
The time now is Fri May 16, 2008 2:35 pm
  Display posts from previous:      

ACF + topic RSS feed 

Audio School © 2008 Audio Courses